This is a blog for music lovers who can appreciate the audio inspiration that musical provides. Genius in Music comes in all shapes and forms, I have created this space to showcase moments of musical awesomeness that are so creative, so amazing, so inspiring,they are......Maaaaaad. The music will definitely have a hip hop and dancehall flavour cause those are the genres I like but the blog is dedicated to any musical genre where you discover something that a Maaad Moment in Music.
Big Up for the Week
Big Up for the Week
This week we want to Big Up all our fans from Vietnam and Germany thanks for the support especially in these challenging times of the global pandemic.
Music is the Strength through all of this ONE LOVE
Tell us about your music +add us to your mailing list + link me at bigtingsmusic@gmail.com
Showing posts with label barrington levy. Show all posts
Showing posts with label barrington levy. Show all posts
Yes....but don't start calling your Jamaicans friends or tuning into CNN just yet...it is true at least in this commercial. Jamaica's high profile brand name status continues its influence on media and you tube, this time through a commercial for noted German appliance manufacturer, Saturn. The You tube buzz worthy ad was released in January 2013 and shows two coffee shop attendants trying to brew a cup of coffee which results in the burning of a Jamaican Flag which is captured on film and leads to riots and demonstration out of respect for the Jamaican Flag. Hard to explain ....just watch the video to understand......
The commercial has as the soundtrack
Barrrington Levy's "Murderer" (not sure why as nobody is being murdered
but I suspect this song is a well recognized Jamaican song in Germany)
The
burning of the flag is considered a desecration of the national flag of Jamaica and from this point of view the advertisement can definitely be considered offensive. In fact under German criminal laws it is illegal to damage the German flag and it is also illegal to damage or revile flags of foreign countries.What we do not know if there is an exception for dramatic works such as a play or a commercial. Our German attorneys are looking into this as we speak. However nowhere can the burning of a national flag be interpreted as acceptable even in this
case of comedic story telling.
If it obviously an ode to the worldwide (and German) recognition of Jamaican culture that within seconds of the flag being burned, public sentiment can be mobilized with such support, love and admiration
The actors who are featured at the 0:38 and 0:42 time marks are obviously not Jamaican but just black actors pretending to be Jamaicans.
Is the flag in the shop due to the fact that Jamaican Blue Mountain coffee is recognized worldwide.
Definitely mad worthy of a watch , tell us do you find it offensive or a genuine respect for the Jamaican culture, Regardless of your view as long as they are talking about it, then it brings further attention to this small island and its culture ...................maaaaaahhhhd
Update : After posting this blog and the controversy that the ad has generated the German Ambassador to Jamaica and the German manufacturer Saturn (today, February 26, 2013) have apologized for the ad, explaining it was not meant to offend and has pulled the ad out of respect for the feeling of the Jamaican people. Irony at its best, art imitating life or is it life imitating art? PS Just to add some context Saturn has a history of these kinds of commercial , this one to advertise their Flat Screen televisions, same concept but no reggae music..
Yes Jerusalem, our wide and varied travels took us to the holy land, our good friends TOK were just touring through Israel and we thought how big is reggae and dancehall in that part of the world and we were pleasantly surprised with some of the developments.
Firstly they have the Zion Reggae Fest concert series, Zion Reggae Fest 2012 is an anuual concert held in Jerusalem's Sacher Park and featured this year such names as Barrington Levy (in
his Israeli debut), Alpha Blondy (back in Israel after 20 years) and
local talents Zvuloon Dub System, Shabak and Hatikva 6.
For Israeli reggae fans, this was major and the action behind the scenes is almost as exciting as the talent out front.
Producers
Guy (Afficoman) Dreyfuss and Gil (Rasta) Bonstein saw it as an opportunity to
transform their first collaboration in two years into a much bigger
event.
Dreyfuss and Bonstein are the authority on reggae in Israel, so much so
that there should be a picture of the two of them next to the word
"reggae" in every Hebrew dictionary.
Dreyfuss is a well-known producer and DJ, both in Israel and Europe,
whose expertise goes far beyond reggae beats. He is also the owner of an
online ticketing website and the man behind some of Tel Aviv's most
infamous street parties. Bonstein, Israel's most veteran reggae
producer, could be called his mentor.
The father of Israeli reggae
Bonstein first heard reggae music in Paris in the '70s, and was the first to bring it to Israel.
“I discovered Bob Marley and reggae when there wasn’t any information
about it yet. I went into a world that was completely unknown,” he says.
“Once upon a time, people could discover worlds. Now everything is
exposed on the Internet.”
In 1980, Bonstein returned to Israel,
where he began organizing reggae shows and bringing in artists from
abroad. In 1985 he established the Soweto (South Western Township) club
in Tel Aviv, which was open for 12 years and became a hub for Jamaican
and African reggae.
Together, Bonstein and Dreyfuss set up the Web portal reggae.co.il,
which is now celebrating its fifth year. It was the first Internet site
in Israel to consolidate information about reggae, including history,
reviews, articles and updates on reggae parties and performances. On the
website’s forum, a genuine community was born, delighted to have a
platform for discussion and the exchange of information.
Its primary draw is
its textual and photographic documentation of the history of reggae in
Israel.
“The main thing is that we were on our own, and we did everything by
ourselves, and we got tired,” says Dreyfuss. “There’s such a massive
flow of information that it’s impossible to keep up with the pace,” adds
Bonstein.
There are few Israelis in Jamaica
Despite the rough patches, Bonstein is optimistic. “In Jamaica, Israel
is considered a reggae superpower in terms of the number of artists who
have performed here and the number of Israelis who visit and live there
in the 'hood,” he says proudly. He takes out an enormous binder – one of
30 similar volumes on his shelves – stuffed with reports and newspaper
clippings.
Bonstein credits the Israeli celebrity reality series "Pa'am Bahayim,"
in which singers Ninet Tayeb and Ben Artzi lived in downtown Kingston,
with creating a huge wave of Israeli tourism there.
Like any good conversation between two Jews, however, this one soon erupts into an argument.
“No, no, no!” Dreyfuss interrupts. “There are very few Israelis in
Jamaica. You personally know everyone who has ever been to Jamaica.
Everybody went to your place. Relatively speaking, it’s very few. Also,
what you said about how Israel is a reggae superpower – I think that’s
very far from reality.” But Bonstein insists. “Israel is a reggae
superpower, Rasta,” he says, showing me interviews and album reviews in
the Israeli, American and Jamaican press. Among them are articles about
Soweto, praise for albums by Israeli bands, and reports about
performances in Israel.
Every band is a miracle
Dreyfuss and Bonstein consider every performance that they bring to
Israel a cultural achievement. One example is the show by Ziggy Marley,
who performed in Israel during the Second Lebanon War. The performance
venue was changed twice as rockets fell deeper and deeper into Israel.
But while Depeche Mode canceled their show around the same time period,
Marley never gave up for a moment. The producing duo have given every
artist they have brought to Israel a tour of Jerusalem (except for
Burning Spear, who came to Israel in 1990 when fatal rioting broke out
on the Temple Mount). They have also given them a comprehensive look
into local cultural life.
The show went on, the singer didn’t lose his voice, nobody got hurt?
Then that’s it. We did it. They’re leaving in three days, so from now
on, we’re going to have fun. We’re going to enjoy every moment, Rasta.
I’ve been bringing people here for 30 years. I’ve never had a
cancellation. No Jamaican artist has ever canceled a show in Israel no
matter what the situation – not even during a war. It was a miracle that
they all came. When Metallica comes here, that’s a miracle, too. Every
band is a miracle.”
Excerpts taken from Haaretz newspaper of Tuesday, October 09, 2012
Here are excerts from the show....Maaad